The fundamental changes resulting in the development of the Baroque style around the turn of the 17th century had a profound effect on music theory. This work explores the metamorphosis in England where, because of a traditional emphasis on practicality, there was willingness to accept new ideas.
The fundamental changes that resulted in the development of the Baroque style around the turn of the seventeenth century also had a profound effect on music theory. Music Theory in Seventeenth-Century England explores these changes, concentrating specifically on English writings because of their emphasis on practical application and consequent ready rejection of the obsolete. This allows for a detailed and comprehensive commentary on how treatises reflect musical developments during the period.
A full and invaluable account of English theoretical writing over the period ... A particularly valuable contribution of the book to English music history is the four full appendices.
