This study looks at developments in eighteenth-century drama that influenced the rise of the novel; it begins by asking why women writers of this period experimented so frequently with both novels and plays. "Anderson's argument-that drama and novel entered into a relationship over the course of the eighteenth century, whereby each shaped the other's distinctively modern form-is so reasonable I find it difficult to believe no literary historian has advanced it until now. Eighteenth-Century Authorship and the Play of Fiction offers a completely new way of accounting for literary events, especially the impact of women playwrights, that culminate in the novels of Edgeworth and Austen. This book should attract scholarly attention to dramatic form and theater history, as well as the novel. --Nancy Armstrong, Duke University "This is a timely, supple, uncommonly nuanced investigation of the hitherto largely uncontested border that divides theater and fiction in 18th-century British culture. Anderson offers careful, original, and fluent case studies of four women novelists who were also playwrights--Eliza Haywood, Frances Burney, Elizabeth Inchbald, and Maria Edgeworth. --Jayne Lewis, University of California, Irivne In Eighteenth-Century Authorship and the Play of Fiction, Emily Anderson modifies our understanding of how the subject is situated in the novel--allowing us to perceive and gain access to a concept of the self and of subjectivity in eighteenth-century culture that is the product of the dynamic interplay of surface and depth, exterior and interior, artifice and truth. -- Lisa A. Freeman, University of Illinois at Chicago