A short, seductive, and dazzlingly inventive novel that shows us the dark side of early twentieth-century Vienna.
A New Yorker best book of 2024 | One of Bloomberg's nine best books of summer 2024
"Inventive . . . Whimsical . . . Fusing period atmosphere with fairy tale, Ehrlich Sachs hints at modern themes while summoning an unexpected imaginary place." -The New Yorker
"Sachs draws from the madcap, darkly comic tradition of postmodern European fiction . . . Like Thomas Bernhard before him, Sachs is a very funny writer unafraid of italics and exclamation marks, which he marshals against the absurdity of the world." -Dustin Illingworth, The New York Times Book Review
"Adam Ehrlich Sachs continues to prove he is one of our most daring and original writers." -Camille Bordas, author of How to Behave in a Crowd
A lean, seductive, and dazzlingly inventive novel that shows us the dark side of early twentieth-century Vienna.
Vienna, 1919. A once-mighty empire has finally come crashing down-and a mysterious young woman, unable to speak, has turned up on the streets. A doctor appeals to the public for information about her past and receives a single response, from a sanatorium patient who claims to be her father. The man reveals only her name: Gretel. But he encloses a bedtime story he asks the doctor to read aloud to her, about an Architect whose radically modern creation has caused a great scandal. The next day a second story arrives, about a Ballet Master who develops a new position of the feet. Twenty-four more stories follow in alphabetical order, about an Immunologist and a Jeweler, a Revolutionary and a Satirist, a Waif and an X-ray Technician and a Zionist. Crossing paths and purposes, their stories interweave until a single picture emerges, that of a decadent, death-obsessed, oversexed empire buzzing with the ideas of Freud and Karl Kraus. There are artists who ape the innocence of children, and scientists who insist that children are anything but innocent . . . And then there's Gretel's own mother, who will do whatever it takes to sing onstage at the City Theater. Is it any wonder that this world-soon to vanish anyway in a war to end all wars-was one from which Gretel's father wished to shelter her?
