In this highly original book Norman Bryson applied 'structuralist' and 'post-structuralist' approaches to French Romantic Painting. He considers the work of David, Ingres and Delacroix as artists who found themselves within an artistic tradition that had nothing creative to offer them.
In this highly original book Norman Bryson applied 'structuralist' and 'post-structuralist' approaches to French Romantic Painting.
