Revived with new intensity at the end of the twentieth century, questions of meaning and interpretation in music continue to generate widespread interest and give rise to new research directions and methods. This collection of essays brings together leading musicologists and music theorists working across a range of genres--classical, jazz, and popular--to offer fresh perspectives on a concern that bestrides every area of musical scholarship. While many accounts of musical meaning tend to limit and constrain, Musical Meaning and Interpretation contends that music's capacity to mean is virtually limitless and therefore resists clean and orderly taxonomies. Taken together, the essays attest to this nearly infinite variety of ways in which music may mean. Individually, they explore the intellectual underpinnings of rotational form, the mysterious agencies that populate our hermeneutic discourse, and the significance of pleasure in the interpretive act, among other topics, along with extended discussions of music by Beethoven, Chabrier, Unsuk Chin, Coltrane, Stephen Foster, Mahler, and Chou Wen-chung. Rooted in humanistic values, the essays combine rich analytical insights with critical perspectives on meaning and hermeneutics, arguing collectively for the strength, necessity, and urgency of interpretive work in music.

This collection of essays brings together leading musicologists and music theorists working across a range of genres--classical, jazz, and popular--to offer fresh approaches to questions of meaning in music. Rooted in humanistic values, Musical Meaning and Interpretation combines rich analytical insights with critical perspectives on musical hermeneutics, arguing collectively for the strength, necessity, and urgency of interpretive work in music.

A truly exciting collection! Beyond its attention to expressive codes and critical traditions, Musical Meaning and Interpretation is a book that brims with an exuberant delight in music's multi-dimensional flux of meaning