We are in the midst of a profound legal shift: from New Zealand to India to Ecuador, real-world laws have granted personhood to rivers. With a mix of magic and pathos, Open the Floodgates imagines this new reality with a new configuration of the human and other-than-human relationship.
In an unnamed California town, the River is granted personhood and has the right–-and urgent need–-to argue in court for its existence. But powerful, well-funded enemies are determined to keep the River exactly as it is: gunk-filled, toxic, a convenient dumping ground for waste. The story moves like water, entering the minds of the town’s people, pigeons, deer, dogs, cats, the trees, the River’s home, and the River itself. When the River moves, the text winds its way along the page, mimicking water. When the River is ultimately jailed, the town faces a reckoning: what do we owe the River? And the River must answer in turn: what, if anything, does it owe humans?
