For years, tales of
DRAGONS
from another world kidnapping and enslaving humans have been circulating in Jason Masters’ world, while for a slave girl named Koren, the stories of a human world seem pure myth. Together, these two teens will need to bridge two planets in order to overthrow the draconic threat and bring the lost slaves home.
The Dragon Prince Has Hatched
The stakes are raised when the foretold prince is crowned. While Koren and Jason race to the Northlands of Starlight to find the one person who can help them free the human slaves, Elyssa and Wallace strive to locate Jason and assist his quest. Soon, all four discover that the secrets of Starlight extend much further than they had imagined. Meanwhile, Randall and Tibalt have returned to Major Four and find themselves teamed with the dragon Magnar, who has arrived to help thwart the governor.
No one knows how the prophecy will be fulfilled, but one thing is clear: more than ever, the survival of the dragons depends on humankind, and they will do anything to prevent the slaves from escaping.
An exciting and evocative Christian fantasy puts an imaginative spin on the Exodus tale, but it is marred by a confusing structure and questionable implications. By no means a stand-alone, the narrative jumps immediately into action from the close of series opener Starlighter (2010). Jason and his companions are still endeavoring to rescue humans from their wretched slavery to dragons in an alternate world. As the newly hatched black dragon king plots to co-opt the Starlighter's mystical power, his opponents seek his mysterious white counterpart in the Northlands. Five separate story lines follow a hefty cast of both dragons and humans to climactic cliffhangers. If the episodic plot depends heavily on convenient devices, the settings are sturdily crafted, the imagery is exquisite and the themes of friendship, sacrifice and the power of stories are heart-wrenching and thought-provoking. The protagonists, human and dragon alike, are complex and admirable; but despite assurances that some powerful secondary characters are 'good' and others 'evil,' it is difficult to distinguish between their behavior. Both are cryptic and manipulative, demand unquestioning submission to cruel 'tests' and inflict vicious punishment for failure. However, much of this disturbing subtext will likely pass by the target audience, who will delight in the wildly inventive worldbuilding, exciting adventure and copious religious allusions.
